“Cão Cao-s” encompasses, for the most part, photographic works interwoven with pieces from other mediums, such as printmaking and painting. The overall body of work is connected through the threshold that frames “chaos,” both personal and social, embracing issues, experiences, and memories that permeate the life of a Black woman from the urban periphery in search of aesthetic paths. From these paths, the work reflects on social and cultural dissonance, with a strong emphasis on the universe of street tagging, establishing a latent bridge with marginal existence.